Product DescriptionThis historic book may have numerous typos and missing text. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1907. Excerpt: … THERE are two favorite ways whereby those leaving the Acropolis are wont to descend to the modern city. One lies around to the right as you leave the gates, passing between the Acropolis and Mars Hill to the north side of the former, where steps will be found leading down to the old quarter and thence past Shoe Lane to Hermes Street and home. The other passes to the south of the Acropolis along its southerly slopes, finally emerging through an iron gate at the eastern end, whence a street leads directly homeward, rather cleaner and sweeter than the other route but hardly as picturesque. Since, however, this way leads to some of the other notable remains of classic Athens, for the present let us take it. Immediately on leaving the avenue in front of the gates of the Acropolis, one finds a path leading eastward directly behind and above the Odeon of Herodes Atticus, which is made conspicuous in the landscape by the lofty stone arches remaining at its front. These arches are blackened and bear every ear-mark of the later Roman epoch. Moreover they strike the beholder as rather unstable, as if some day they might fall unless removed. But their loss would be a pity, nevertheless, for they certainly present a striking and agreeable feature to the sight despite their lack of harmony with the received ideas of pure Greek architecture. It hardly repays one to descend to the pit of this commodious theatre, or rather concert hall, since one gets a very accurate idea of it from above looking down into its orchestra over the tiers of grass-grown seats. For more detailed inspection of ancient theatrical structures, the Dionysiac theatre farther along our path is decidedly more worth while, besides being much more ancient and more interesting by association. On the way …